Guest Writers

For Dec. 8:


The short story below features the gift of capturing the profound within the ordinary. In “Provenance,” Brandy Wilkinson reflects the precision and mastery of storytellers like  Alice Munro and Flannery O’Connor. Wilkinson lives in Fishers, Indiana. She reads and writes at


The day after Irene’s doctor tells her she’s dying, she walks down to the Family Dollar and buys three packages of neon yard sale tags and a king-size Snickers bar.

“You having a sale, Miss Irene?” the cashier asks, a wad of bright green gum between her teeth. A small photo of a pigtailed girl hangs from her name tag.

“Nope,” Irene answers, taking her bag. On the way home she peels open the candy, chocolate liquefying in the July sun, and eats it in five huge mouthfuls. She whispers a few words of farewell to the diet she has been on for fifty-seven years.

At home, she washes her hands and spreads the colorful tags across the kitchen table. With a felt-tip pen and faintly trembling script, she begins to label and price everything she owns. Her son will appreciate her efforts when he flies in from Virginia to sell off her estate. Nothing is worth much, not to anyone else, and she smirks a little, imagining her daughter-in-law, Marjorie, fresh off the plane and picking through Irene’s double-wide for antiques to hock.

Brass mantel clock: Wedding gift from Bud and Trudy Taylor, 1961, $3.

Kodak Brownie camera: Doesn’t work, still cute, $1.

Wooden chess set, each piece a different farm animal: Belonged to my sister Clarice, $2.

Drawer full of cheap costume jewelry – a few sparkling brooches and strand after strand of chunky plastic beads: Help yourself, Marjorie! Sell what you don’t want!

She opens a cabinet under the small kitchen island, removes a cardboard box and lifts out thirteen newspaper-wrapped dishes. She unswaddles each, slowly revealing a child’s tea set, her own: Blue Willow pattern, Made in Occupied Japan printed across the bottom of each piece. Irene has watched enough Antiques Roadshow to know that this is the most expensive item she owns. She imagines Marjorie’s hands unwrapping each dish, her long pink nails and Irene’s mother’s wedding ring.

“Nope,” she says.

The cashier at the Family Dollar greets her when she enters. Irene walks straight to checkout and places the box on the counter. “A tea set,” she says. “For your little girl.” She buys another Snickers bar and walks home. She eats it on the couch with Wheel of Fortune on the television, her feet on the coffee table, and the roomful of tags waving gently like wildflowers in the ceiling fan’s breeze.


Christie Thompson

You ever just heard a poem that stuck in your bones?

This is Christie Thompson’s tribute to her father and her family. Thompson is a writer returning to her love of writing this year. She lives in Henderson, KY, and works at WNIN, the NPR station in Evansville, IN.

Chickens Wild

My father has been gone for almost a year

And I was on my way to visit his grave

Tucked sweetly within a family plot

Beside his momma and daddy

St. Peter’s Cemetery

Is in the tiny town of Waverly, Ky—

Very much a Catholic area

And very much a poor, Catholic area

Every time I drive to see Daddy

I listen to Hank

Those in my family, we just say Hank

Because there’s only One

But perhaps I should specify—

Hank Williams Senior circa 1952

He was my daddy’s favorite

I know every word

To every song

And if you’re not sure,  or don’t know who that is

It’s that twangy kinda country music

That makes dogs howl

The stuff I absolutely love

That will always feel like Daddy’s arms around me

Lonesome Blues

Transports me to another time…

You ever just heard a story that stuck in your bones?

And who was tellin’ it made you rejoice

But who it was about made you cry

Even if they were one in the same?

The story came deep from within my blood:

My father grew up on a farm—

No, it wasn’t really big enough to be a farm

But there were hogs, an ass and two old milk cows—

Bessie and Brownie

The house—

It was a tiny two-room shack

In desperate need of repair

Chipped white paint, missin’ slats of wood

An old outhouse for a bathroom…

Daddy remembered the outhouse

When he was around six

He hated walkin’ to it at night

‘Cause the old mean rooster would peck at his privates

My daddy’s mom and dad,

They were extremely poor

And this story must’ve stuck in my daddy’s mind too

‘Cause he cried when he told it

His house was the kind that had dirt for a yard

Wobbly, slanted floors

And chickens wild

My dad and his brothers were the kinda kids

That wore girl’s jeans ‘cause they were cheaper

Right around the time of James Dean and Brylcream

Can you imagine what that must’ve done?

And when their father would eat

He would let the lard from the pork, stew, or whatever

Run down his chin

Only to wipe it with his sleeve

I only knew my grandpa for a very short time

But to a four-year-old he looked ominous, grotesque and mean

He was known to have cut the family dog with a razor blade

Rub gunpowder into its wounds

Purposely drivin’ the dog mad

Swearing it would keep Coloreds away from the yard

And my grandmother—

I never got the chance to meet

But she married at thirteen!

What I wouldn’t give

To tell her

Her granddaughter and great-granddaughter

Have her blue eyes and red hair

But mostly, that her son

Changed the course of an entire family…

She died when Dad was fifteen or so

He found her dead

After the night his daddy had beat her

Just a little too much

Can you imagine what that must’ve done?

When a Hank Williams song can make his eyes water

And a little black and white girl playin’ together

Can make him smile

Or when he wants to hold on to his only daughter

He let me go—

Goin’ on pure faith that he had taught me right

Right enough

To lie down and die



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